Sea Art Fastival 2023 Artist

Jang Seungwook
Republic of Korea
Place of activity

France, Reims

Text about the artist.

Jang Seungwook currently works as an animation director in Reims, France. Winner of prizes at several international festivals, including IndieJúnior – International Children’s and Youth Film Festival in Portugal, In The Palace International Short Film Festival in Bulgaria, ShorTS International Film Festival in Italy, and Digicon6 ASIA Korea Regional Awards in South Korea, he is also expanding his artistic horizons by working as a children’s book author and illustrator.

ARTWORK
<Stars On the Sea (S.O.S)>

2021, Drawing animation, color, sound, 6min. 6sec.

Can art help us extend our empathy beyond what we know and see in our immediate surroundings? Stars On the Sea is a story about the environment that surrounds us. A mother and her young children are seen in a domestic space, while the building is filling up with water. They are moving higher up in the building to escape the already flooded floors, only for more water to reach them. As time passes by, and they have now reached the top, they are trapped in what looks like a vast flooded landscape with floating dwellings. Jang Seungwook is using human characters in his animation, but in fact they could represent any other living creature. This becomes more evident as the work progresses. For the artist, the situation the creatures face here is not much different from what any other living being would face, but what the main characters in the work symbolize is ultimately who we are. It symbolizes us (human and non-human) who have no choice but to live on this earth. The environment, our planet is one of the important things we must pass on to the next generation. So, if we were in the place of the mother in this work, what would we do? ‘Noah’s Ark’ appears in the animation in one of the children’s story books. Rather than foreshadowing their salvation, it talks about the coming 'water crisis'. The ark symbolizes salvation in the book, but in reality, the characters fight through harsh conditions in order to survive. In one scene, the family watches TV at home, which presents part of a previous work of the artist. By including these scenes acted out by one character focused on himself and looking only at himself, it alludes to human selfishness. Jang Seungwook created this work with sorrow and heartbreak, watching countless lives silently enduring the consequences of events for which they bear no direct responsibility. Through the images of those who appear like shining stars in the sky in the last scene, he wants to convey the responsibility we have as people living in this era, the affection, respect, and concern for disappearing creatures, and the hope that their images will not become ours.

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포레스트 커리큘럼은 남아시아와 동남아시아를 잇는 삼림지대 조미아의 자연문화를 통한 인류세 비평을 주로 연구합니다. 작품 유랑하는 베스티아리는 이 연구의 일환으로, 비인간적 존재들이 근대 국민국가에 내재된 계급적이고 세습적인 폭력과 그에 따른 잔재들에 어떻게 대항해왔는지를 보여주는 작품입니다. 좌중을 압도하는 듯한 거대한 깃발들은 위태롭고도 불안하게 스스로를 지탱하고 있는 듯 보입니다. 깃발에는 벤조인이나 아편부터 동아시아 신화에 등장하는 동물들까지 비인간 존재들을 상징하는 대상들이 그려져 있습니다. 각 깃발들은 비인간적 존재들의 대표자로서 모두가 한데 결합되어 아상블라주 그 자체를 표상합니다. 또한 깃발들과 함께 설치된 사운드 작품은 방콕과 파주에서 채집된 고음역대의 풀벌레 소리, 인도네시아의 경주용 비둘기들의 소리, 지방정부 선거를 앞두고 재정 부패를 유지하기 위한 수단으로 쓰이는 불필요한 공사에서 발생하는 소음, 그리고 위의 소리들을 찾아가는데 사용된 질문들과 조건들을 읽어 내려가는 내레이션으로 이루어져 있습니다. 장승욱 감독은 현재 프랑스 랭스에서 애니메이션 감독으로 활동한다. 포르투갈 인디주니어, 불가리아 인 더 팰리스 국제단편영화제, 이탈리아 쇼츠 국제영화제, 한국 디지콘6 아시아 등 다수의 국제영화제에서 수상한 감독은 어린이 동화책 작가이자 삽화가로도 작업하며 영역을 확장 중이다.

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