Sea Art Fastival 2023 Artist

Julia Lohmann
Germany
Place of activity

Finland, Helsinki

Text about the artist.

Julia Lohmann is a Professor of Contemporary Design at Aalto University, Finland. Lohmann’s work investigates and critiques the ethical and material value systems underpinning our relationship with flora and fauna. As a designer in residence at the Victoria & Albert Museum in 2013, she established the Department of Seaweed, a transdisciplinary community of practice exploring marine organisms' potential as a design material. Lohmann has received awards, bursaries, and support from the Esmée Fairbairn Foundation, the British Council, Jerwood Contemporary Makers, D&AD, Stanley Picker Gallery, the Arts Foundation, Wellcome Trust, and Cooper Hewitt, Smithsonian Design Museum.

Kayoung Kim
Republic of Korea
Place of activity

Germany, Hamburg

Text about the artist.

Based in Hamburg, Germany, Kayoung Kim works mainly as part of a socially engaged designer collective. Kim aims to promote the democratic and autonomous use of public resources based on communication and cooperation with local communities and to solve complex problems in contemporary society by making them visible through design. A Project on Forgotten Cityscapes, which she carried out in Germany, researched the historical, social, and political background of buildings slated for demolition in Hamburg and archived the private stories accumulated in the spaces. Every year since 2022, Kim has been creating art related to the conflicts of the Korean government’s cultural property restoration projects with residents in Pungnap-dong, Songpa-gu, Seoul.

ARTWORK
<Department of Seaweed Studio>

2023, Gijang kelp, rattan, wood, workshop tools, drawings, research about local algae culture, Dimension variable. Commissioned by Sea Art Festival 2023

It is said that during the Goryeo Dynasty (918 — 1392), Koreans discovered that whales would eat seaweed after giving birth to recover their strength, and it became a custom to feed seaweed soup to mothers. Even today, on birthdays, along with the congratulatory wishes, the question follows, "Did you eat seaweed soup?" It is the first dish cooked when a new life is born and invokes care, affection, and dedication in the Korean psyche. In Gijang, this tradition is even stronger: According to research by Gijang County, when a child is born in the region, seaweed soup is served to the family on the ceremonial table every day for a week and every week for a month, to wish for the child’s health and well-being and give strength back to the mother after giving birth. This installation and studio creates a special place for the seaweed that shaped the local cultures, next to Halmae Shrine and Halbae Shrine, an acknowledgement of a community’s multispecies entanglements and relations. It is a kind of ‘seaweed shrine’. The artists exploring this natural resource aim at healing the damage that has already been caused and, in a synergic system, produce a material to be used on land with a low impact. However, it is crucial not to view seaweed as another resource to be extracted. In imagining future possibilities, Julia Lohmann and Kayoung Kim take on a regenerative mindset, rather than an exploitative one. The organism is seen as an embedded part of the ecosystem, and it is considered in all its life cycle. Through interdisciplinary, hands-on, creative and holistic approaches the “Seaweed Shrine” showcases new ways of engaging with a local organism and to explore its potential to restore and create. As members of the Department of Seaweed - an interdisciplinary group dedicated to exploring the cultural, environmental, and sustainable aspects of seaweed and kelp, founded by Julia Lohmann - the artists delve into the vibrant stories of the people in the area, where seaweed and kelp play a significant part in their lives. It explores their relationship with the resources they obtain from nature and the material and psychological impact it has on their daily lives. The collected materials, exhibited alongside the kelp sculptures, create an immersive experience that allows the public to engage with local stories and evoke a range of emotions.

More
LIST

물고기 입맞춤 율리아 로만 & 김가영

하이퍼콤프ㅣ10분 13초ㅣ드라마
작품 설명

포레스트 커리큘럼은 남아시아와 동남아시아를 잇는 삼림지대 조미아의 자연문화를 통한 인류세 비평을 주로 연구합니다. 작품 유랑하는 베스티아리는 이 연구의 일환으로, 비인간적 존재들이 근대 국민국가에 내재된 계급적이고 세습적인 폭력과 그에 따른 잔재들에 어떻게 대항해왔는지를 보여주는 작품입니다. 좌중을 압도하는 듯한 거대한 깃발들은 위태롭고도 불안하게 스스로를 지탱하고 있는 듯 보입니다. 깃발에는 벤조인이나 아편부터 동아시아 신화에 등장하는 동물들까지 비인간 존재들을 상징하는 대상들이 그려져 있습니다. 각 깃발들은 비인간적 존재들의 대표자로서 모두가 한데 결합되어 아상블라주 그 자체를 표상합니다. 또한 깃발들과 함께 설치된 사운드 작품은 방콕과 파주에서 채집된 고음역대의 풀벌레 소리, 인도네시아의 경주용 비둘기들의 소리, 지방정부 선거를 앞두고 재정 부패를 유지하기 위한 수단으로 쓰이는 불필요한 공사에서 발생하는 소음, 그리고 위의 소리들을 찾아가는데 사용된 질문들과 조건들을 읽어 내려가는 내레이션으로 이루어져 있습니다.

오디오 가이드
포레스트 커리큘럼 더보기