Sea Art Fastival 2023 Artist

Atelier NL
Nationality

Netherlands

Place of activity

Netherlands, Eindhoven

Text about the artist.

Atelier NL, which was founded by Nadine Sterk and Lonny van Ryswyck, is a design studio celebrating the richness of the earth and the value of local raw materials. The two artists reshape raw earth elements into everyday objects, reflecting the subtleties of the natural world. Notably, their Clay and Glass project uses locally sourced clay for ceramics and wild sands for glassmaking. This honors cultural heritage and promotes sustainable design. Atelier NL inspires appreciation for our planet’s resources, advocating responsible sourcing and production to foster global environmental consciousness. Their passion-driven research creates tangible connections between humanity and nature, calling for a renewed sense of stewardship for our precious earth.

Instagram
@ateliernl
Facebook
@AtelierNL
ARTWORK
<To See a World in a Grain of Sand: Unveiling South Korea's Hidden Narratives>

2017-ongoing, Maps, sand postcards, sand samples, mixed media, Dimension variable. Commissioned by Sea Art Festival 2023.

Have you ever looked closely at a grain of sand? Imagined it as a small part of the world, with its very own story to tell? The journey of a grain of sand has been guided by water, wind, and ice over time. Just like people, each grain has its own character and tells a unique story of the land and history. It is also one of the most important materials in our lives. Without it, we would have no glass, no computer chips, and no buildings. To See a World in a Grain of Sand is a project that maps the Earth through small sand samples contributed by people worldwide, revealing hidden narratives embedded in glass fused from 'wild' sands. From a hot and dry desert to a cold and snowy mountain; a skyscraper in a bustling city to an archaeological ruin; an invisible political border to a vast and open landscape; an excavated gold mine to the bottom of an ancient seabed; or a place of civil unrest to a serene holiday island. When these geographical diversities become visible, it becomes clear that sand carries not only ecological significance but powerful social and political histories. Specially curated for the Sea Art Festival, Atelier NL delves into South Korea's history. In the intricate tapestry of our planet's story, sand stands as a silent witness to the passage of time, shaped over billions of years. Yet, this seemingly abundant resource faces an urgent global crisis - a scarcity driven by insatiable demand. Every year, we remove billions of tons of sand from beaches, rivers, oceans, and quarries across the planet, locking it away in infrastructure and technology. This makes sand one of the most quickly disappearing natural resources in the world, so much that there is now a global sand scarcity. Amidst these global challenges, South Korea stands at a crossroads. As a rapidly growing nation, it must strike a delicate balance between ambitious development plans and safeguarding the environment. Busan's skyline of towering skyscrapers showcases the magnitude of sand's role in construction. It serves as a poignant reminder that sustainable sand management is crucial to support the city's growth while preserving the natural beauty that surrounds it. This installation invites you to see the world anew, where the humble grain of sand carries stories of our past, present, and future. The collected sands, mainly gathered by Bora Hong, a multidisciplinary designer from Seoul now residing in Chiang Mai, are visualized on the map of South Korea. During her 10-day road trip, she collected sands from diverse beaches along the coastline. Exploring rivers and little streams led her to unexpectedly beautiful and tranquil locations. Bora's involvement with "aworldofsand.com" allowed her to uncover sands with profound stories and memories reflecting the country's rich cultural heritage and natural beauty. Alongside Bora's captivating journey, Atelier NL categorized each story and place into six themes: history, migration, meaning, ecology, delay, and scarcity, providing a unique perspective on the sands' significance and the memories they evoke.

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하이퍼콤프ㅣ10분 13초ㅣ드라마
작품 설명

포레스트 커리큘럼은 남아시아와 동남아시아를 잇는 삼림지대 조미아의 자연문화를 통한 인류세 비평을 주로 연구합니다. 작품 유랑하는 베스티아리는 이 연구의 일환으로, 비인간적 존재들이 근대 국민국가에 내재된 계급적이고 세습적인 폭력과 그에 따른 잔재들에 어떻게 대항해왔는지를 보여주는 작품입니다. 좌중을 압도하는 듯한 거대한 깃발들은 위태롭고도 불안하게 스스로를 지탱하고 있는 듯 보입니다. 깃발에는 벤조인이나 아편부터 동아시아 신화에 등장하는 동물들까지 비인간 존재들을 상징하는 대상들이 그려져 있습니다. 각 깃발들은 비인간적 존재들의 대표자로서 모두가 한데 결합되어 아상블라주 그 자체를 표상합니다. 또한 깃발들과 함께 설치된 사운드 작품은 방콕과 파주에서 채집된 고음역대의 풀벌레 소리, 인도네시아의 경주용 비둘기들의 소리, 지방정부 선거를 앞두고 재정 부패를 유지하기 위한 수단으로 쓰이는 불필요한 공사에서 발생하는 소음, 그리고 위의 소리들을 찾아가는데 사용된 질문들과 조건들을 읽어 내려가는 내레이션으로 이루어져 있습니다. 나딘 스테르크와 로니 판 라이스바이크가 설립한 디자인 스튜디오 아틀리에 엔엘은 지구의 풍요로움과 현지 원료의 가치를 중시한다. 두 아티스트는 자연 그대로의 요소들을 일상적인 사물로 재탄생시켜 자연계의 미묘함을 반영한다. 특히 <클레이 앤드 글래스> 프로젝트는 현지에서 조달한 점토와 모래를 도자기와 유리 제작에 사용함으로써 문화유산을 존중하고 지속 가능한 디자인을 장려한다. 아틀리에 엔엘은 지구의 자원에 대한 인식을 고취하고 신중한 재료의 구매와 생산을 옹호하여 글로벌 환경 의식을 고취한다. 열정적인 연구를 통해 인류와 자연을 구체적으로 연결하고 소중한 지구에 대한 새로운 관리자 의식을 촉구한다.

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