There are no boundaries in the sea or land. Fences are human-made structures and boundaries are drawn and constructed by humans. A space surrounded by a fence gives a clear sign to people that it can not be entered, however one’s sight can penetrate a space enclosed with a fence or border. Boundaries can be penetrated from the outside.

In Yasuaki Onishi’s installation, the fence that separates this side from the opposite one marks that boundary. Works with fences of different types and sizes create permeable volumes by layering boundaries. Yasuaki uses a ready-made and mundane object such as a fence, sculpting an empty space and allowing it to be filled with our imagination. The space between ourselves and the sea or nature may be thought of as a separation or a border, but here this hollow space is materialized with a structure of vertical and horizontal lines, volumes and voids, allowing us to fill in these forms and create different interpretations or visualize new landscapes. Layer of Boundary explores ideas of emptiness and fullness, absence and presence. Through this installation Yasuaki also explores relationships - and borders - between human and nature. The familiar fence object is reversed; the artist manipulates it so it’s not a fixed structure anymore, but one that can be penetrated and one that can offer different points of view. In a way, what is thought of as a boundary between ourselves and the sea, we are invited to erase with our imagination.

Yasuaki invites us to rethink the division between human and sea, human and nature, but also the separation between human activity at land and sea. He reminds us of the need to look at sea, land and humans together and as connected entities in order to be able to address the urgent transformation the sea is undergoing.